Mercy Cartel - Interview & Falling (Single Drop)
Essex born, London based singer Mercy Cartel releases her new single ‘Falling’ via Polarface Music. Inspired by a socially distanced romance that blossomed during the lockdown earlier this year, ‘Falling’ was born amidst pain and grief. With elements of R&B, Pop & Electronica tinged throughout, the song is filled with her warm vocals, percussion-driven synths and a dreamy melody.
1. So tell me, how did it all begin? What sparked your love for music?
I’ve been playing instruments since I was a kid but I absolutely hated it! Playing double bass in classical orchestras was not for me but it sparked an interest in performing. It’s a bit of a black cliche but singing in church was also really beneficial. My mum only started gassing me up once an aunty told her my voice was “anointed”... I don’t know about that but it brought my parents onside, that’s for sure.
2. Who are some artists that influence you and that you want to work with in the future?
The artists that influence me range a lot… I like music that has strong melodies and rhythms. I love me some Kanye West, Andre 3000, M.I.A., Azealia Banks, Solange, Amy Winehouse - the list goes on! At the moment I’m really loving music from Bree Runway, Ojerime, Master Peace and Victoria Monet. I’d love to work with all of them at some point.
3. What are some of the problems you have faced making and releasing the music during the corona virus pandemic?
No gigs has really hurt my pocket but we move! I’ve been focusing on writing but recording has also been pretty hard during this time.
4. How would you describe your sound?
I think my sound is pretty melodic and syncopated and influenced by gospel backing vocals, R&B and elements of hiphop. I think my sound could change though, it depends on where I am creatively in my life. Right now, I’m not trying to overthink shit so my music is pretty “feel-good” but alternative.
5. What's your proudest moment to date so far as an artist?
Hard one because I never really dwell on moments and I’m always looking for the next thing! Probably not a great mindset but if I had to pick one moment… it would probably be playing Glastonbury 2019 on the Pussy Parlure stage. It was great to just be around other great artists like Tank and The Bangas, Lianne La Havas, Franc Moody and Miraa May. They were so dope to speak to and watch and it just motivated me. I actually can’t wait to perform again!
6. Do you have any advice for our readers who may be trying to play the mad game of music?
My advice would be to try and get a balance between creativity and business acumen. It’s really important to try and understand this crazy industry so you can navigate things such as live gigs, working with agents and distribution. However, focusing on making the best music you can for the stage you’re at also works in tandem with industry awareness. Honestly, if your ideas are there, even if it doesn’t have the best quality, it can start to attract fans and industry support. Do a lot of research and just get your music out there!
7. Are there any artists on your radar at the moment that we should check out?
I’ve been listening to the debut single, Honey, from Violet Jones x Dom Porter. It actually bangs and it’s just a chilled R&B tune. Chikaya has also been in my rotation a lot because I love her melodies and her songwriting style. Also, Pritt is a favourite of mine, I love how she incorporates her southern-east Asian heritage into her songs. Her runs are mad!
8. What albums are on heavy rotation on your Spotify playlist currently?
Speakerboxxx/The Love Below from OutKast is just giving me everything I need at the moment. It’s such a great classic album. I’ve also been listening to Amaarae’s album, The Angel You Don’t Know and Kadiata’s project: Blind, this summer.
9. What do you like to do when you're not making music?
This question stumped me - I should try and get more activities outside of music…..
10. Name Three things you can't live without when in the studio?
Water, bud and fruit.
I know this answer is hella boring but it’s the truth, my bad!