Lei Hope - 21 (Single)
Photo credit: Aubrey Simpson
Born in Zimbabwe and raised in Leeds, Lei Hope is the project of Manchester based musician Hope Chiguvo. Lei Hope today announces his new EP 'Matrices' will be released 10th May via Heist or Hit and releases the project's second single and opener "21".
On his ambitious new 7 track EP 'Matrices', Hope's textured, wide-ranging songs skip between sacred melodies and secular sentiment, all wrapped in a sound that jitters somewhere between the deluxe-digital-age psychedelics of indie and R&B.
New single and EP opener "21" at once feels familiar, nostalgic, yet distinctly singular. Written as a reminder to himself of his own growth as a person and artist, the song's woozy, soulful ascending guitar chords and jazzy instrumental inflections provide a warming base for Lei's musings on personal progression.
Speaking more on the release of new single "21", Lei Hope said: "The title of the EP ‘Matrices’ came around as the plural of ‘matrix’. It’s a bit of a nerdy explanation but in Maths, a matrix is used to communicate transformation, movement, or change (similar to coordinates). Throughout the making of this project, I underwent multiple layers of change. I like starting projects with an update on my state of mind - and on "21" I was looking back at times when my mental health was a lot worse and appreciating the growth I’ve made in terms of overcoming a lot of struggles. This was the first song Will Levison and I co-produced in December 2022, and it features vocals from Manchester R&B singer Mxzvita."
Having already impressed with his self-released debut EP 'Autonomous Affection' and on the live stage - with buzzy showcases at Beyond The Music and Manchester Psych Fest, Lei Hope's music arrives at a fascinating intersection between indie-pop, psychedelia, bedroom-pop, R&B and soul.
The hallmarks of his sound - layered vocal harmonies, vibrant synthesisers and smouldering hooks are all there, dappled in sunshine and in full plain sight. A guitarist first and foremost by his own admission, Lei’s musical genesis was in the church. “Whilst I was living with my family in Leeds, we would go to church maybe two or three times a week. It was non-denominational, but I guess you could say it was most similar to a Pentecostal service, with live musicians every service.” he states.
Following a period of father-son osmosis whereby he soaked up every chord shape his dad could show him, the church musicians rallied to fill in the gaps. “Once I got better at guitar, I joined the church band and was playing live every week. Now, my guitar is like my musical calculator and compass."
And there is a navigational intelligence to the way in which he uses the various shorelines of genre as jumping off points for his own compositions. From making beats at home around the age of 15, Lei discovered and immersed himself in the material of Omar Apollo, Clairo, Yeek, Blood Orange and Spencer.
However, it wasn’t until the enforced cocoon of the pandemic that Lei began the process of recording. Isolation proved to be a creative chrysalis from which he emerged fully formed: “I didn't know anyone in the industry or any musicians in Manchester but I knew that Steve Lacy had recorded his first EP on his phone. I took inspiration from that. Quickly, I wrote, produced, recorded and engineered my first project and people reacted.”
Lei Hope is a man making whatever the fuck music comes into his head with the power to dismantle and reassemble genres. A pallet cleansing, no filter aesthetic; not just indie for the sake of it, but affectingly human. When you factor in that he’s capable of wringing soulfulness out of any bar of music seemingly at will, it sets him apart as one of the most exciting prospects on the Manchester indie scene.